Likewise, the music of LLAMA has no meaning. The music style follows closely in the footsteps of the Dada art movement of the 1920's - art which has no meaning. LLAMA is an improvisational electronic band. Stellar I Belong - Live At Depauw University - Quatrain L to R: David - Debi - Billy (seated) - Walterĭadadada - Lopsided Opera - The Third Secret Of Fatima Saxophone, Flute, Recorder, Harmonica, Trumpetīodhran, Talking Drum, Tambourine, Wood Blocks, Bells, Chimes, Pearl Drum Set, Insect‑O‑Plate, Roland TR‑707 Rhythm Composer, Alesis HR‑16 Drum Machine, Giant Steel Photo Developing Tray, Household Appliances Ibanez Custom Guitar, Fender Stratocaster, Hondo Bass, Viola, B4U Bass Guitar Yamaha (FB‑01, SHS‑10 Keytar), Roland (JX‑10, MKS‑70, MKS‑50, U‑20, GR‑1 Guitar Synth), Casio (SK‑1, 2000, DH‑100 MIDI Saxophone), Korg P3, Kawai K1r, Serge Modular SystemĪkai ME20A Arpeggiator, Alesis (Quadraverb, MicroVerb III, MidiVerb III), Art (SGE Mach II, Proverb), Boss (HM‑2, BF‑2 Flanger, PS‑2 Digital Pitch Shifter/Delay, DDS‑10 Stereo Digital Delay, RSD‑10 Digital Delay/Sampler), E‑Bow, NeXT Computer, PAiA 6710 Vocoder, Scholz Rockman To ‑‑‑› Raw Digital Audio (HE‑ACC) + Transparent Encoding w/Constant Bit ‑‑‑› PowerPack Lame MP3 Encoding / Audio Sample Rate LIST Nero Wave Editor w/Spectral Subtraction Hiss Filter ‑50dB Gain w/50% Noise Reduction JVC TD‑W106 Dolby‑B NR System ‑‑› to ‑‑› Technics SA‑160 Quartz SynthesizerĮMU10K1 24‑Bit Analog to Digital Converter w/D4700 4‑CPU 3.0GHz Pentium TDK IEC Type II High Bias CRO2 EQ:70µs + Maxell IEC Type II High Bias CRO2 EQ:70µs He said in a loud voice, "This music is not appropriate for OUR students!" and then he started singing "Old Man River". Five minutes into our set, a priest stood up from the crowd, walked over to the mixing board and turned off all the power. One very memorable evening on tour was in 1993 when we played a concert at Marian University. The band was lucky enough to have some famous musicians sit in on some live sessions including James Woolley (Nine Inch Nails - Keyboards) and Tufty Clough (Toxic Reasons - Bass). The live music was fed intocomputer graphics processing equipment which produced some very impressive "r eal‑time" visuals. Some of the more impressive live shows were accompaniedby live interactive computer graphics on a wide screen projector in the background. LLAMA toured the Midwest playinglive shows at universities, nightclubs and outdoor events. The closestdescription would classify it as " Space Rock" or " Ambient". The music of LLAMA has no classification. Debi used a unique pitch bending effects processor hooked up to her microphoneand was able to change her voice different ways in real‑time.
Synthesizers, Drums, Guitars, Horns, Giant Gongs, HomemadeInstruments, Anything and Everything. Each sessionthey played was 45 minutes long, the length of one side of a standard 90‑minute cassette tape. The band never knew what they were going to play.they just played. Likewise, the music of LLAMA has no meaning.No two performances were ever the same. Their music style followed closely in the footstepsof the Dada art movement of the 1920's - art which has no meaning. LLAMA was an improvisational electronic band active from 1975 through 1994.
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